Interview | DaveIt Ferris
November 7th, 2016
Now with the US election behind us, we are happy to be able
to officially announce our November 2016 Starlight Music Chronicles indie
Artist of the month winner, UK born DaveIt Ferris! Here’s what he had to say:
SMC - Welcome DaveIt Ferris to the Starlight Music
Chronicles Artist of the Month Alumni! We are thrilled to have yet another
brilliant talent from the UK on our forum. Can you tell us where you were and
what your thoughts were when you found out that you were our November 2016
winner?
DF - Thank you! It's a cool accolade and I’m thrilled to
have the title this month! I was at my friend Noel's house after a night on the
town when I was scanning my facebook and seen that I’d won. As I was reading
the comments, I heard a 'pop' behind me, which was the sound of Noel popping
open a bottle of champagne for the occasion. It was a great ending to a great
night. I had been following the public vote sporadically, so to get the nod as
the overall winner was excellent and I want to thank everyone for voting for me
in the online poll you ran.
SMC- So let's go into a little bit of your career history....
can you tell us how you evolved as a Musician?
DF - Music started for me when I was about 14/15 and my sister
started dating a guy called Kevin who would leave over his Greenway, Nirvana,
Bon Jovi and Def Leppard CD's. Suddenly upon listening to these gems, music was
no longer background noise to me. I obsessively listened to every one of his
CD's that I could get my paws on until he just pretty much just gave me his
entire collection. I can't say at this age I had any aspirations of being a
professional musician, but suddenly I found myself as the lead singer of a
school band, which changed everything. From singing in this band, I was spotted
by an older local band that actually played shows around town and I became
their singer. It was pretty fun to play until midnight in a bar knowing I had
school the next day! Being around instruments so much made me decide to start
learning guitar and I became obsessed with it very quickly. I bought a tape
recorder and just wrote and recorded riffs and 'songs' as soon as I got out of
school [I still have the tapes!] - so in essence, my adoration for songwriting
came via the journey of trying to learn the guitar. When I was 17 I attended
music college and formed a band as part of the course with absolute strangers,
who have all become lifelong friends. This was the first time I was in control
of the songwriting of a band and I loved the pressure it brought. That band
fell apart due to members leaving the music course, but I now had a taste for
being the frontman and songwriter of a band, so it only took me a couple of
months to form my most successful band to date, 'Mascara Story'. Within a year
of forming this band, we were crowned the 'Unsigned Band of the Year' by the
UK's biggest music magazine, Kerrang! Because of this, we went on to play
festivals [such as download and t-vital], release a single that charted, made a
video, signed a record deal and did a handful of tours. It was a really good
time that ultimately fell apart due to personal, not professional or musical,
differences. The day after this split, I formed a band called 'Rescue the
Astronauts' that took everything I learned in Mascara Story and amplified it up
a notch. After only a few months together, we had supported Fall Out Boy on our
debut show and released an EP that I still appreciate to this day. I guess the
final musical chapter since then has been this 'solo' phase. In early 2008,
after many musical projects stalling due to other people, I decided to be as
DIY as I could so that I’d only have myself to blame. In that year, I wrote,
recorded, produced and ultimately released 5 solo records [and my first poetry
book]. It felt very empowering to be solely in the driver’s seat and being able
to make things happen without needing the universe to lineup with 3 or 4 other
people, you know? Since 2008, I have approached most of my creative works alone
and as lonely as that sounds, it's how I work best. 2014 and 2015 have been my
most fulfilling years as a musician and as a creative due to the '365 Sparks'
project [in which I wrote and recorded 365 original songs in a year]. I think
that material is, without a doubt, the best stuff I’ve ever done - on a
songwriting level, performance level, lyrical level and production level. That
pretty much brings me up to current times. Phew!
SMC- What would you say it the biggest challenge as a Musician in the UK today?
SMC- What would you say it the biggest challenge as a Musician in the UK today?
DF - There's just so much competition for everything that
it's difficult to stand out from the crowd without sacrificing your true sound,
true identity or true spirit. I've seen and heard musicians change all three
when their natural way of being wasn't bringing career elevation quick enough.
This wouldn't strictly be a UK thing though as it happens everywhere these
days.
SMC - We LOVE the concept behind your 365 Sparks project
that you did in 2015 and it looks as though you have begun another. Tell our
readers more about this fantastic project and how it came to be...
SMC - We also saw that you ARE 100% the creative individual
behind 'DaveIt Ferris'. From first concept in lyrics to the final output in
graphics and content. Wow! What is the driving force behind this?
DF - Well, 'Daveit Ferris' is just me and I don't see that
changing anytime soon. As previously mentioned, it's been a completely DIY
journey up to this point. I've written, performed, recorded, mixed and mastered
all the music myself. Alongside this I’ve made my websites and graphics and
videos too. blah blah. I love the challenge and saddle myself with
responsibility all the time. Being completely in control of what I sound like,
how people see the visuals and websites…..is very powerful and very exciting.
In a band context, I’d happily sacrifice this level of control to make it more
of a democracy, but when you make the decision to work under your own name, you
have to be fully in control as no-one is going to worry as much about bruising
that name or reputation than you are - it just comes with the territory.
SMC - And now you are releasing the 'Scribbles'
project....tell us about that....
DF - Over the last year, I’ve found myself with a lot of
'quiet' time in the mornings. My mornings usually start at 5am, so it's deathly
quiet. For obvious reasons, I cannot blast guitar at this ungodly hour but I
still wanted something creative to do with my time and that's where the idea
for '365 Scribbles' came about. It's basically an original poem released every
day for the entire 2017 year. To add some personality to this, I’ll be
handwriting and scanning the poem, so that it's not just cold digital ink. I
think that I’m going to be obsessed with the '365' project idea over the next
decade or so and envisage myself doing many, many more of them.
SMC - Where do the next 6 months of your career take you?
Any Live shows?
DF - I'm currently in the process of booking my first run of
acoustic shows for December around Northern Ireland. These will be my first
ever proper acoustic solo shows and some of my first performances in over ten
years. Playing live never really appealed to me as I was a studio bird always
just wanting to record the next song then the next one…. but 've slowly gotten
to a point where I want to go out and play to the people. Beyond that, I want
to release an all-acoustic album soon, ten tracks of just acoustic guitar and
one vocal. I had a lot of surplus songs/ideas from the 365 Sparks project that I’d
love to finish and record, it's just finding the time right now.
SMC - What are your thoughts on being nominated for a
competition like ours? What are your thoughts on this sort of event?
DF -I founded and ran a music website for a few years called
chordblossom.com and we did a yearly competition called 'Kickstart' [that you
can see here: http://www.chordblossom.com/win/chordblossom-kickstart] that was
designed to kickstart a band's year with a nice list of prizes. As I devised
this myself, it's safe to say that I’m onboard with this kind of music
competition event. Obviously, it elevates the winner, but it also does give a
bit of confidence to the runners up too - some of our shortlisted bands have
told me that directly - which was nice. It all comes back to being recognised
for that which you love doing.
SMC - Where does the creative process begin with for you
when writing your lyrics?
DF - I'm always scribbling lines into books or on my phone
or even just storing lines in my internal brain memory. However, I cannot say
that lyrics are ever my first thought when writing a song. Almost all of my
demos start life with 'uhms' and 'ahs' in place of actual words - it's more
important to me to get the melodies nailed down at an early stage. Once I have
my 'uhm and ah' demo, I’ll then start slipping in words and phrases. Lyrics
have always [thankfully] come really natural to me and I adore the challenge of
having to write a line with a restricted amount of syllables.
SMC - On December 21st, you are doing an online StageIt
show. What are your thoughts about that sort of thing as opposed to performing
at a live venue? (By the way, we will be attending)
DF - It'll be my first time doing any kind of 'online show',
but I’m looking forward to it so that people that aren't local can see me play
some music live for the first time ever. I have friends that have done a
handful of stageits before and its been recommended to me many times. It'll
never have the same intimacy as a show in a venue, but that just comes with the
territory and is to be expected. I have watched a handful of these types of
shows, so I’m looking forward to hosting one. Awesome! See you then!
SMC - Who are your biggest supporters? Would you like to
give a shout out to them?
DF - I was speaking to a friend the other day about how
fortunate I am to have so many supporters despite the fact I played about 3
shows in ten years as 'Daveit Ferris' - one off appearances. It's hard to
cultivate any kind of following when you're not out there, especially these
days. I wouldn't like to specifically name anyone because there's a long list
and I’ll forget someone and bruise that connection a little. My supporters all
know I appreciate them!
SMC - It seems that since our Artist of the Year winner
IAMWARFACE scooped the win in June 2016, we have had an influx of British
bands/Artists being nominated for our AOM competition. We are thrilled because
it allows for us to bring those artists to North American soil. With that being
said, what are your thoughts about the Artist of the Year competition in June
2017? What would you like to see happen in effort to build up to this event by
our team at SMC?
DF - I like the idea of the twelve 'artists of the month'
musicians/bands competing for the 'artist of the year' crown - it's a nice
graduation of the competition. I'd love to know more about the final
competition as I don't currently know much about it to be honest.
SMC - You are being showcased on a global platform that
receives thousands of hits to the website daily and you were chosen for this
position. What are your thoughts on sharing the stage with some of the
industries best?
DF - Being recognised for something I adore doing and would
do it even if I lived alone in a cabin in the woods, is always awesome. You
know, in 2014 I pretty much spent every day alone in my studio recording those
365 songs and it got super lonely at times. But then when cool things [such as
this accolade] results from all that work, it makes it all worth it.
SMC - What is your favorite song that you have written to
date and why?
DF - This would be impossible to even narrow down to 50 [as I’m
currently experiencing whilst trying to whittle down my live set list] simply
because I have recorded and released so many songs that I still quite like.
Like most writers, my newest stuff is always my favourite simply because it
represents me 'now'. I know that sounds cliché to non-musicians, but you must
remember, we are always evolving, so my newest songs have a slightly better
falsetto now than there was before, my vibrato has improved about 25% in the
last year too, so I’m naturally going to gravitate toward songs that showcase
these skills way better, right? Lyrical content is probably the main reason
writers always love their newest stuff the most, though. My feelings change
constantly, so singing a song I wrote about someone who was in my life two
years ago but no longer is, can be a difficult activity.
SMC - If there were a band or Artist that you could go up
against in the Artist of the Year event, who would that be and why?
DF - I enjoy healthy
competition, so I’ll always want to compete with the best.
SMC - What is the most flattering thing a fan has said to
you?
DF - Without a doubt, it's been those handful of special
occasions when someone has told me that my music helped them get through a
difficult period in their life. I know that this line is so normalized in our
culture now, but think about that line for a second. Music that I sat on the
edge of my sofa and wrote has positively affected someone going through a
crisis on the other side of the world - it's an insane thought to feel that
you've played a small part in the life of someone that you'll unlikely to ever
meet. It astounds me when I hear that and always will. Those occasions have
been super special to me.
SMC - Can you tell us which instruments are your favorite to
play? Which one(s) do you gravitate to when creating your music?
DF - Guitar is what I started out on and it'll always be my
go-to when I feel like writing a jam. I have written on pretty much every
instrument I have lying around my studio at some point, but I’m most fluent on
guitar and tend to gravitate to it about 95% of the time. I only tend to move
onto writing on other instruments when I feel like I’m reusing 'guitar tricks'
or that the songs are sounding samey. There's more than a handful of songs on
the 365 Sparks project that I created on a computer - literally starting with a
drum machine, adding synthetic bass, piano, organ, violins, etc. - before even
considering the vocal or lyrics - that was an exciting new experience, but
guitar will always be my writing weapon of choice.
SMC - Final question, and we always like to ask this: If
there was any advice you would like to give to anyone new starting out in the
industry, what advice would that be?
DF - Seek out constructive criticism as soon as you can.
It'll hurt at the start, but you'll improve massively. In the very early days
of my old band 'Mascara Story', I invited a popular and successful musician in
my area, Cahir, to come to our rehearsal studio and give us feedback. It was
painful to hear some of his points, but he was right ['your songs have way too
many parts' - 'there's no need to overdo the drums in every section' 'you need
to stop singing so high in the verses so that when you do in the choruses,
they'll have more impact'] and ultimately it made us reassess ourselves and
even drop a few songs we'd planned to record for our EP and include two much
better tracks in their place. Our progression was worth that humbling exercise
and I’d recommend all new bands to do this soon [and often].
DaveIt Ferris Social Media:
| WEBSITES ➤
http://daveitferris.com / http://365sparks.com
| TWITTER ➤
http://twitter.com/daveitferris
| FACEBOOK ➤
http://facebook.com/daveitferris
| SOUNDCLOUD ➤
http://soundcloud.com/daveitferris
| ITUNES ➤
http://bit.ly/daveitferrisitunes
| YOUTUBE ➤
http://www.youtube.com/thisisdaveitferris
| INSTAGRAM ➤
http://instagram.com/daveitferris
| SPOTIFY ➤
http://spoti.fi/1zZ04oa
| DOWNWRITE ➤https://downwrite.com/artist/daveit-ferris
| FLUENCE ➤
https://fluence.io/daveitferris